@neutrinoP Ah so you're not involved anymore either..? ;;

@MystSaphyr Nope. I.... "retired" 😅 Mostly due to my condition... Otherwise I would have keep on signing contracts and permissions, and create the shows on my style (which seems to be hated enough be self-entitled Ps 😝 hahaha)

@neutrinoP I had a few issues with how SRP was fun but overall it was a promising project;; (I was never contacted to do art for reward tiers...)

@MystSaphyr With me as C.O.O. and main production master it wasn't "fun" at all 😂 I demanded quality at least as low as I could make, if not higher. (C.O.O. it is indeed a coo in real life 😂 )

@neutrinoP that sounds stressful;;

@MystSaphyr It was stressful for me. Everyone else was free to leave if they couldn't/wouldn't match the requirements, and while I had to make many of their designed works from scratch (mostly as motion data or model quality editing)

@neutrinoP oh shoot I just realize I typoed, I meant "issues with how SRP was RUN" not fun! lol

@MystSaphyr SRP was ran fairly as a company though, we didn't accepted lower quality than what myself could do, my quality was the lowest level admitted. Sadly, only few have rose at this level 😢 and I hoped for so much more...

@neutrinoP Wolf made the KS project live before I could proofread it;; and I don't know if supporters got their rewards in the end (certainly no art from me;; ) but other than that the shows themselves were very well done!

@MystSaphyr YOu know they are still using the same old renderings I did back then? 😂

@neutrinoP oh nooooo

@MystSaphyr Yeah 😅 😂

@neutrinoP I hope someday one of the overseas concert projects will be able to have proper live music, or at least maybe live DJing?

@MystSaphyr nope. it was a project MikuUK, the boss simply gave up because it gave him deep depression. All the issues imaginable, from poor motion data (they were using CInema4D!) he was making the models btw, good models... to venue issues like poor grounding and the click track of the band was leaking in the front PA... unimaginable issues!

@MystSaphyr We were collaborating for many little things with MikuUK, they were helping with some motion data which I was fast adjusting (that when Vocalekt Visions), and we kept contact till this day

@neutrinoP Hmm yeah, it would be very venue-dependent and would require probably more than what most conventions could manage.

@MystSaphyr Conventions could manage very well, but... like always happens, there are some "twats" which aren't interested at all, and some "cunts" which always they could "do it better" 😂 All of us have had enough of them 😅

@MystSaphyr hope I didn't used a "too strong language" this time 😝 😂

@neutrinoP Language aside, I'm just concerned as to whom you might be subtooting;;

@MystSaphyr lol to you of course, even if everybody is free to see. Like usual I have nothing to hide 😊

@neutrinoP No I mean

@MystSaphyr ah
no worries, you are not among them LOL

@MystSaphyr But they were so many at each event.

@neutrinoP I've experienced that by proxy with VOCAMERICA OTL

I always want to speak up and say things when people badmouth it, but I know people will be like "you're involved in the project with Aiko, your opinions don't count"

And it's not like I want to defend every choice Aki makes, she's made some poor decisions, but it's disheartening to see some of the baseless negativity

@MystSaphyr Waaah! I left the concert playing, and now is playing Luo Tianyi , for which, after I received the motion made by EmpthP herself, I started a "War" with her, telling her to "tone down the motion, it was looking like her jumps are going to jump out of the screen!" 😂 Ah... memories.. hahahah